About

A stark, beautiful project; one that embraces this darkness rather than shying away from it.
— NOISEY
Matthew Swann is one of the most creative, honest voices in Canada right now.
— MONTREAL GAZETTE
An artist of immeasurable depth, incredible smarts, remarkable bravery and infinite charm, creativity and insight.
— CALGARY HERALD
Coherent, charming and completely focused.
— EXCLAIM!

Origins

The music of Astral Swans is a spellbinding portal into the psyche of acclaimed Canadian songwriter Matthew Swann. As the first artist signed to Madic Records (an Arts & Crafts affiliate label helmed by Juno award-winning musician Dan Mangan), Swann’s 2015 debut All My Favourite Singers Are Willie Nelson was described by Noisey as “a stark, beautiful project; one that embraces darkness rather than shying away from it.” Astral Swans’ sophomore album, 2018’s Strange Prison (co-produced by Preoccupations’ Scott Munro) earned even more widespread attention from Paste, Tiny Mix Tapes, and a live performance on CBC q, which highlighted Swann’s singular talents at “grabbing listeners' attention and holding onto it.”

In 2017, Swann re-entered the studio with Preoccupations guitarist Scott Munro, recording engineer Paul Chirka of the Calgary Philharmonic Orchestra, and Dan Mangan to create the songs that would become Strange Prison. Packed with swooning strings, shimmering keys, and spectral electronics, it continues Astral Swans’ philosophical searching with both morbid humour and compassionate character studies. Released by a trifecta of international labels (Canada’s Saved By Vinyl, Japan’s Moorworks, and the Netherlands’ Tiny Room Records), the album is a sonically exploratory and emotionally resonant collection of songs focusing on the nuances of human existence.

Lyrically, Astral Swans’ writing recalls the sly sarcasm of ’90s indie-rock heroes Bill Callahan and Cat Power, the fragile intimacy of ’60s folk singers Nick Drake and Sibylle Baier, and the inner world-building of Syd Barrett and Daniel Johnston. Swann credits the expressionistic sound painting of his songs with an unexpected inspiration from Sly Stone’s early ’70s drug-fueled recordings (There’s a Riot Going On, Fresh), which he calls “masterpieces of weird production where nothing is used properly.” The troubled characters in his songs (arsonists, pilots, prison builders, and Swann himself) may be capable of destructive behaviour, but he believes personal growth can only occur from honest admissions of our scariest inclinations. Challenge yourself but don’t give in to the fear. Rip yourself up and start again.

The past five years have found Swann hitting the road from his hometown of Calgary, Alberta for a series of extensive tours across North America and around the world. Performing at house shows and on festival stages, he has shared bills with a laundry list of artists including Feist, Angel Olsen, Hayden, Colin Stetson, Julie Doiron, and Chad VanGaalen (producer of Swann’s previous project Extra Happy Ghost!!!). In 2019, Swann continued his international travels with a series of performances throughout the Netherlands, Germany, and the Yukon. While touring has now been put on hold by COVID-19, Swann has stayed busy, hunkering down in his home base on a series of recordings planned for an upcoming 2020 release.

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